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Nat Christie Centre – Alberta Ballet

Nat Christie Centre -  Alberta Ballet

On Thursday, June 25, 2015 I took a photograph of the Nat Christie Centre, current home of the Alberta Ballet.

I have wanted to take a photograph of this historic building for some time. One of the challenges, however, is that it faces north, which at Calgary’s latitude of 51 degrees means that the sun rarely kisses the front of the building. June 25 is very near the summer equinox, when the sun is at its furthest northern point. I was able to capture this photograph during the late evening at very nearly 8 p.m. when the sun was low on the horizon, at about 15 degrees. I like how the sun casts warm shadows across the building.

I recently attended an Alberta ballet lighting presentation in the Nat Christie Centre. One interesting thing that struck me was that the dance studios are warmer than typical room temperatures. The reason for heated studios is to keep the dancers’ muscles warm, thereby reducing injuries.

The Nat Christie Center itself has an interesting history. Constructed in 1905, the building initially served as a parish hall for St. Mary’s Roman Catholic Church, including a 500-seat theater used for various purposes by the community. Later, in 1911, the Canadian Northern Railway bought the building and surrounding property. The facility continued to serve as a train station until 1971. Then, in 1979 the city of Calgary purchased the train station, and it was designated a provincial historical building. Five years later, with funding from the Nat Christie Foundation, Alberta Ballet became its latest and current resident. You can perhaps read a more complete description at the Collections Canada Alberta Arts Heritage website.

When this article was originally created, I was able to link to a specific page at Collections Canada Alberta Heritage. That page has been removed and I have not found a replacement.

Erin provided two helpful links in her comment to this article.

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This past weekend, Rachel Notley, leader of the New Democratic Party, was sworn in as premier of Alberta.

Because the last few premiers have not been good, I had hoped that Jim Prentice would be our next elected premier, and that he would be able to make many improvements. Prior to the campaign, however, oil prices crashed and Albertans became grumpy, and, during the campaign, he made a few but critical political stumbles. That and because people were hungry for change, he was defeated.

So here we are with a left leaning leader. Now, many Albertans are overjoyed while many others are fearful. For those that are overjoyed that their left leaning voices will finally be heard and acted upon, you’re in for disappointment. While I expect your voices will be heard, the reality of low oil prices will not allow the NDP to enact many of its desired changes. And, for those that are fearful, relax. It won’t be as bad as you fear. The NDP will realize that many Albertans did not endorse their platform, but rather voted for change. So it will have to adapt to the needs and wants of Albertans while operating within Alberta’s political and economic constraints. That will not be easy.

Because of the economic realities, the next four years are likely to be challenging. It wouldn’t have mattered which party assumed power. Having a new party with a new leader isn’t such a bad idea, though. Notley can review prior government decisions and actions to make improvements where possible. That’s a good thing.

The Progressive Conservative Party can regroup and assess its errors. With this defeat, some of the arrogance and feelings of entitlement should be diminished. Moreover, it’s a good wake-up call to the corporate sector that not all Albertans share their viewpoints.

The next four years will prove interesting. I wish Premier Rachel Notley well as she launches into her new role. While her job won’t be easy, I am positive that it will be interesting.

For another viewpoint, Ian Austen of The New York Times wrote, “After a Political Reversal in Alberta, ‘Anything Seems Possible’.” Please note, a subscription to The New York Times might be required.

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Keeping Busy

This is just a short post to say that I have been keeping busy, though I don’t have much to write about. As mentioned in my prior article, I am still helping my friend Dan Margulis with his book. We are getting close to the end of the project, so I am excited to see his finished product. And, I have been busy bashing away on a few personal projects.

With the summer fast approaching, I hope to get outside more and engage in more photography. Then, I will have some photographs to share with you.

So that’s it for now.

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With A Little Help From My Friends

New Beginnings - Bow Falls

I took the above picture near Bow Falls, within the town of Banff, in Banff National Park, Alberta. And below, is the same picture but straight out of the camera. As you can see, I enhanced the colors. You can click on either photo to be taken to a larger version at Flickr.

New Beginnings - Bow Falls

By being a beta-reader, I am helping Dan Margulis, a friend and a best-selling author, write a new book on Photoshop. I, along with 13 others, am proof-reading his text, making sure that everything flows, the discussion and examples can be readily followed, and, we hope, there are no typos.

For those that are unfamiliar with Dan, he has already written several highly acclaimed Photoshop books, including: Professional Photoshop: The Classic Guide to Color Correction (5th Edition); Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace; and Modern Photoshop Color Workflow The Quartertone Quandary, the PPW, and Other Ideas for Speedy Image Enhancement (Amazon affiliate links). We are working on a follow-up or revised edition to his Canyon Conundrum book.

Although I am strictly an amateur photographer who enjoys working with Photoshop, I have read Margulis’s books, which many readers consider difficult but worthwhile, and have taken two of his courses. That said, to become extremely good at photography and Photoshop, one needs to gain considerable experience with each. I am improving, slowly but surely. Every time I take a new photograph and process it through Photoshop, I learn something new.

To keep learning, I am observant and willing to experiment. As mentioned in my photography articles, I compare my results to what I had envisioned. That usually helps to spot mistakes quickly. And, I am willing to try different techniques or methods, both in photography and Photoshop.

Returning to Dan’s book, the beta-reading exercise is a challenging but rewarding endeavor. The challenge is to understand everything and that takes some effort. I have had to read some parts two or three times. Because of my limited experience and proficiency, I might be working harder than others in our group. That said, we each fill a certain demographic of Dan’s expected readership, so I am helping to fulfill the serious amateur role. Moreover, each of us works independently to provide feedback. As I have commented to others, being a beta-reader is much like being a student taking a graduate level course—it takes a lot of hard work and effort. The great news is that it is rewarding because I have the opportunity to gain more insights and experience.

As you’ve seen from a prior post, on February 23, I went out to Banff to take photographs. My favorite photograph from that day is the one at the top of this article. The most difficult challenge I had in retouching it in Photoshop was the blue shadows on the ice immediately in front of the camera. I deliberately brought out color variation from the trees and the rocks, but that move also intensified the blue shadow, so much so that it looked garish in my first iteration. One of the unfortunate aspects of working for a while in Photoshop is that you become inured to overly strong colors. Soon, they begin to look proper and normal. It’s only when you step away for a while or someone else comments on your photograph that you begin to see the problem.

In this case, I was unsure how to treat the overly blue shadow. Dan has an online Color Theory Group where other enthusiasts can exchange information. I posted my dilemma and asked for help. Another enthusiast Les De Moss came to my rescue. He just happens to be a former beta-reader for Dan’s books, just happens to own a color lab, and just happens to live in the Rockies. He provided a sample file where he showed how to split the file into parts and treat each separately. So everything but the ice was one part, which I already had completed, and the ice with the blue shadows was the second part. Once I knew how to treat the ice, I didn’t take long to finish both parts and recombine them.

All that said, I am happy with my final result. You, of course, will have to form your own opinion.

Every exercise increases my learning and experience. In this instance, I learned how to work with blue shadows on white snow and how to separate and recombine parts of a photograph. The other positive aspect of this type of learning experience is helping and receiving help from others—a little help from my friends.

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Winter Photography

Solitude - Lake Louise - Banff National Park

This past Monday I went to the Rocky Mountains to take photographs at Lake Louise and some other areas within Banff. In the past, I have engaged in photography during warm weather only.

I learned that winter photography is less forgiving than during the summer. One obvious challenge is the colder temperatures. I took my gloves off and used my exposed fingers to work the camera. After a few minutes, my fingers were surprisingly cold. Another challenge is that the sun hovers low over the horizon during the winter. So, catching the ideal time to photograph an area becomes more difficult, especially in the mountains where the sun has to rise over them.

To create great photographs, a photographer needs to be very picky about the specific time of day within a particular season and weather conditions. In the summer, I typically visit a few locations and get okay photographs. In the winter, that becomes more difficult. Although I went to great locations, the lighting conditions simply did not work. I recall one instance in the early afternoon where the sun was low on the horizon and almost shining directly into the lens. And, in another, the long shadows over the valley detracted from the overall view. So if I go back during the winter or early spring, I will need to visit these locations at better times.

Every photography trip adds to my experience and knowledge. I always come away with some added insight about how I want to approach my next trip. I find photography is much like writing—it takes an inordinate amount of practice to become good.

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